Catalogus
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| Uitgever | Bank of Guyana |
|---|---|
| Jaar | 1999 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Dollar (decimalized, 1965-date) |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | BANK OF GUYANA ONE HUNDRED DOLLARS $100 GOVERNOR(ag) MINISTER OF FINANCE THESE NOTES ARE LEGAL TENDER FOR THE PAYMENT OF ANY AMOUNT |
| Beschrijving keerzijde | The central vignette presents a finely engraved view of the Cathedral of the Immaculate Conception (Brickdam Cathedral) in Georgetown, rendered in dark intaglio against a pale guilloche underprint, with a large tree to its right. A bold numeral medallion "$100" within concentric guilloche rings occupies the left field, while denomination numerals "$100" repeat at all four corners. The issuer name "Bank of Guyana" appears in the upper border and the written denomination "One Hundred Dollars" in the lower border, with the printer's imprint "THOMAS DE LA RUE AND COMPANY LIMITED" below. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The P#31 series was introduced as Guyana moved to consolidate its note designs following years of inflationary pressure that had effectively made lower denominations obsolete. By 1999, the 100-dollar note was doing the transactional work that much smaller values once handled — a quiet marker of how far the Guyanese dollar had slipped since the 1970s.
Thomas De La Rue's involvement goes back to Guyana's earliest post-independence issues, making this a long-running commercial printing relationship rather than anything exceptional for the series.