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| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の銘文 | R. POUGHEON FEC. BROUTIN SC. |
| 裏面の説明 | The reverse bears an intaglio vignette derived from an ancient mosaic held in the Alaoui Museum in Sousse, illustrating the unloading of a cargo vessel within a classical Mediterranean maritime composition. The designer and engraver credits — R. POUGHEON FEC. C. BELTRAND SC. — appear in the lower margin. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
The Banque de l'Algérie operated as a colonial institution under French charter, and by the mid-1940s its notes were being produced by the Banque de France's printing works — a common arrangement that gave Algerian currency the same technical quality as metropolitan issues while keeping it formally distinct. Robert Poughéon was a Prix de Rome laureate whose work appeared across multiple French colonial note series of the period; Joseph Broutin and Camille Beltrand were among the more accomplished intaglio engravers working in Paris at the time.
The date window for this type — 1946 through 1948 — brackets a period of significant political turbulence in Algeria following the Sétif and Guelma massacres of May 1945, though the notes themselves give no indication of that.