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20 Rials
| Uitgever | Central Bank of Oman |
|---|---|
| Jaar | 2000 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Thomas De La Rue & Company |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Watermark, Holographic strip |
| Beschrijving beveiliging | Watermark portrait of Sultan Qaboos bin Sa'id; vertical holographic security strip at right of obverse |
| Varianten | Log in om details te zien |
| Opmerkingen |
The 2000 issue marked a modest redesign within the Central Bank of Oman's third series, updating security architecture as counterfeiting threats against Gulf currencies intensified through the late 1990s. The holographic strip was a direct response to that pressure — Omani rials, as a stable and widely traded regional currency, had become an attractive target.
Thomas De La Rue's long relationship with the Sultanate dates to the earliest post-1970 issues under Sultan Qaboos, and the London printing continuity across decades is worth noting given how many Gulf states diversified their print contracts during this period. Oman did not.