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| Uitgever | Banco Central del Uruguay |
|---|---|
| Jaar | 1986 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | 159 × 74 mm |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Portrait of writer and philosopher José Enrique Rodó at right, printed in intaglio, with the Uruguayan coat of arms centred and a blank watermark panel at left. Fine multicoloured guilloche underprint covers the face of the note, with denomination and issuer inscriptions rendered in intaglio lettering. Serial numbers appear in two positions across the note face. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Watermark |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The 200 Nuevos Pesos denomination was part of Uruguay's post-tablita monetary reconstruction, issued after the catastrophic 1982 peso crash that wiped out much of the country's middle class through forced devaluations and frozen dollar accounts. The Nuevo Peso itself had been introduced in 1975 at 1,000 old pesos — by 1986, inflation had made even that replacement currency an awkward unit for everyday transactions.
Ciccone Calcografica, the Buenos Aires security printer, handled much of the Río de la Plata region's banknote production during this period, which made geographic and logistical sense for smaller central banks without domestic printing infrastructure.