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25 Pfennig
| Emittent | Stadtrat Ansbach (City Council of Ansbach) |
|---|---|
| Jahr | 1921 |
| Typ | Local banknote |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Green note printed in black, entirely occupied by a silhouette-style vignette in the Art Nouveau manner signed by Willy Flach. The scene depicts a huntsman in period costume holding a tall ceremonial staff, accompanied by three hounds in a wooded landscape; a second crouching figure appears to the right. The date '1729' is set in the upper right field, referencing a historical episode associated with Ansbach's Margraviate. A decorative border with small geometric ornaments frames the lower edge, within which the legend 'DIE WILDE MARKG..A' is inscribed. |
| Rückseitenlegende | 1729 ·DIE·WILDE·MARKG·A· |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Ansbach's 25 Pfennig notgeld from 1921 sits in the later wave of municipal emergency currency, issued well after the acute wartime coin shortage that originally justified such notes. By 1921 the practical necessity had largely passed, but many German city councils continued issuing — and in some cases deliberately beautifying — their notgeld, aware that collectors were absorbing them before they ever reached a cash drawer. Whether Ansbach's issue circulated meaningfully or was printed with one eye on the philatelic market is a fair question.
Willy Flach is a locally documented designer associated with Ansbach's civic printing work in this period, which at least confirms the design wasn't simply bought from a generic stock template — a common shortcut among smaller municipalities.