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50 Dinara
| Uitgever | Kingdom of Serbia |
|---|---|
| Jaar | 1876 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Paper |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | At left, a vignette of a seated peasant woman in traditional dress; at top center, a portrait of Prince Milan Obrenović IV flanked by cherubs within an ornate frame; at right, a standing soldier in uniform. The note carries extensive Cyrillic letterpress text across the lower field, with the printer's imprint L. DUMONT PARIS at the lower margin. |
|---|---|
| Opschrift voorzijde | ПЕДЕСЕТ ДИНАРА Ову новчаницу издају и примају све државне благајне у Србији у 50 ДИНАРА Државне новчанице издају се на основу законодавне одлуке од 19. Јануара 1876 Ко прави лажне новчанице, и ко се њима служи, казниће се по §§ 145 и 146. кривичног закона. L. DUMONT PARIS |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The 1876 Serbian issues were among the first paper money ever circulated in the Kingdom of Serbia, a country where public trust in anything other than metal coin was essentially nonexistent. The Dumont print shop in Paris produced the entire series, and the quality of engraving was deliberately high — partly a technical choice, partly a political one, since the government understood that a poorly printed note would be refused outright by a skeptical population.
Pick 4 is the largest denomination of the inaugural 1876 series. Hoarding was widespread, and genuine circulation examples showing honest wear are considerably harder to find than uncirculated survivors pulled from old hoards.