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50 Sucres

Uitgever Banco Central del Ecuador
Jaar 1957-1982
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) P#116
Beschrijving voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde The central design is dominated by the Ecuadorian national coat of arms in fine intaglio engraving, framed by elaborate scrollwork and flanked by large guilloche rosette medallions bearing the numeral 50 at left and right. A condor with spread wings surmounts the shield, which carries a river scene with a steamer and a snow-capped volcano beneath a radiant sun. The bank title BANCO CENTRAL DEL ECUADOR is inscribed at the top, and the denomination legend CINCUENTA SUCRES appears within an ornate cartouche at the base of the note.
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten P#116a - 02.04.1957, 07.07.1959, 07.04.1960* & 29.08.1961* * not listed in catalog
P#116b - 07.11.1962, 29.10.1963, 27.06.1964, 23.07.1964*, 29.01.1965 & 06.08.1965 * not listed in catalog
P#116c - 01.01.1966, 27.04.1966 & 17.11.1966
P#116d - 04.10.1967, 30.05.1969 & 17.07.1974
Opmerkingen

This note ran through an unusually long print lifespan — over two decades with Thomas De La Rue — during a period when Ecuador's sucre was under persistent inflationary pressure following the collapse of the cacao boom and the country's chronic balance-of-payments struggles. The Banco Central kept the denomination in circulation far longer than economic conditions would have recommended, a fiscal decision that eroded the note's real-world purchasing power to near irrelevance by the early 1980s.

De La Rue produced multiple date variants across the series run, making precise attribution dependent on signature combinations rather than visual differences.

MISSCHIEN OOK INTERESSANT