カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Stylized male head facing right, rendered in a highly abstracted Celtic-Dacian artistic idiom derived from the Macedonian tetradrachm prototype of Philip II. The effigy displays a wreath of schematized laurel leaves atop curling hair, reduced to bold, rounded pellet-like locks. The facial features are dramatically simplified, with a large circular eye in low relief, a broad nose, and a pronounced chinless (Kinnlos) profile — the defining characteristic of this emission type. No legend or inscription appears in the field. |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ND (300 BC - 1 BC) |
| 追加情報 |
The "Kinnlos" (chinless) designation comes from German-language scholarship — a morphological label applied to a specific degeneration sequence in Dacian imitative coinage, where successive die-cutting generations progressively abstracted the portrait until the jawline simply disappeared. These are not official issues in any administrative sense; they are tribal silver struck by communities in the Carpathian interior who had access to Macedonian tetradrachms — most likely Philip II or Thasos types — and reproduced them through a chain of imitation that accumulated error over decades.
Pink's classification remains the foundational reference, though the sequencing of sub-types continues to be debated as new finds emerge from Romanian hoards.