カタログ
登録が必要な理由は?ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します!
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Olive-green and multicolour reverse centred on a stylised mosaic vignette in Pre-Columbian design, executed in geometric patterns typical of indigenous Aruban decorative art. Serial numbers appear at the upper left and lower right. Printer and copyright inscriptions are placed along the lower margin. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | Watermark |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Aruba had only separated from the Netherlands Antilles in 1986, and the Centrale Bank van Aruba was barely operational when this note entered circulation four years later. The entire first series was a deliberate nation-building exercise, with local designer Evelino Fingal commissioned to ensure the imagery was distinctly Aruban rather than recycled from Antillean precedents.
Enschedé had printed Netherlands Antilles notes for decades, so the technical relationship was already established. At the 100 Florin level, the watermark remains the primary security measure — modest by later standards, but consistent with what the young institution could specify and procure at the time.