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100 Florin
| Uitgever | Centrale Bank van Aruba |
|---|---|
| Jaar | 1990 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | P#10 |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Olive-green and multicolour reverse centred on a stylised mosaic vignette in Pre-Columbian design, executed in geometric patterns typical of indigenous Aruban decorative art. Serial numbers appear at the upper left and lower right. Printer and copyright inscriptions are placed along the lower margin. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Watermark |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Aruba had only separated from the Netherlands Antilles in 1986, and the Centrale Bank van Aruba was barely operational when this note entered circulation four years later. The entire first series was a deliberate nation-building exercise, with local designer Evelino Fingal commissioned to ensure the imagery was distinctly Aruban rather than recycled from Antillean precedents.
Enschedé had printed Netherlands Antilles notes for decades, so the technical relationship was already established. At the 100 Florin level, the watermark remains the primary security measure — modest by later standards, but consistent with what the young institution could specify and procure at the time.